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BBC CLICK // MASSIVE ATTACK_

Just before New Year 2019 I was invited down to the BBC Studios in London to create a piece of art for their tech based science show, Click Live. What I didn’t realise, was that I would also be making history! I wont go into too much detail, as much of the information about the project is contained within the program itself, but that day I would become the first person in the world to paint using synthetic DNA that contained stored data.

Massive Attack – Mezzanine

Massive Attack had commissioned a series of cans of spray paint containing this unique paint as part of their anniversary celebrations. My role within the show was to produce a piece of art using the DNA paint to help demonstrate potential uses for the technology in front of a live studio audience. I wanted to stay true to the initial concept artwork featuring the beetle, but with some simple details, like a helix, some DNA sequencing and a cracked microscope slide to add a graffiti stylisation in keeping with the theme of the piece. In total I only had about 3 hours to work on the painting, but thankfully it came together without too much drama.

Following on from the live show, I was interviewed in my studio space as part of a TV special that would further explore this incredible technology. Below are links to both the live show, and the special feature:

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DEATH FROM A DOVE_

On 16th April 2018 I set out to paste up a six metre by three metre painting on a billboard in the heart of Digbeth, Birmingham, UK. News events at the time have sparked controversy, and I’ve been working on a scaled up version of an exhibition piece from the same time last year with the Distorted Minds Crew featuring a suicide dove. It seemed like the perfect storm to get this piece up.

“You can’t lambaste a sovereign country as despotic whilst in every way acting like a tyrant yourself.”

There are a number of factors that have brought me to this point, but ultimately it boils down to a complete breakdown in trust with our government. Or moreover, the realisation that clichés about bringing liberal democracy to the world and the abject failure of our foreign policy over the decades, are actually just a pretext for us as one of the largest arms manufacturers, to sell weapons to despotic regimes, to steal resources, to destabilise countries we consider a threat, and to posture on the world stage as though there were any semblance of the British Empire left.

Void One - Death From A Dove Billboard 2018

At the time of writing this we find ourselves caught in what appears to be a proxy war with Russia, railing against the use of chemical weapons with no clear evidence, compounded by the fact that we sold Assad the precursor chemicals he’s alleged to have used to produce sarin back in 2012. The OPCW completed a survey of the site we bombed in 2017 and declared it safe. Do we know something they don’t? Why wasn’t that shared and left to an independent body that was awarded the Nobel peace prize for their work in eradicating chemical weapons? Footage of the aftermath of our strikes clearly show there were no chemicals on site, else where are the hazmat suits? The breathing apparatus? I want any military action to follow clear evidence, not hyperbole and hearsay, else it sets a very dangerous precedent for the future. Have we learned nothing from Iraq?

Void One - Death From A Dove Billboard 2018

There’s been a complete disregard for international law and the convention that military action should follow a debate in parliament. Why were these air strikes conveniently pushed through whilst MP’s were on a break? Because ‘outsourcing’ decisions to a democratically elected body is no longer good enough, or worse, considered a hindrance? You can’t lambaste a sovereign country as despotic whilst in every way acting like a tyrant yourself.

Void One - Death From A Dove Billboard 2018

That Britain ought to stand against international war crimes is justified, but only when applied universally. Why is it acceptable to attack Syria under some pretence of moral duty, when in the same week journalists and civilians are being shot by snipers in the West Bank with not a word of condemnation from our government? When we sell billions in arms to Saudi Arabia whilst it’s widely known those weapons have been used for atrocities in Yemen? This government has blood on it’s hands and must be held accountable! When Theressa May’s husband stands to directly benefit from these strikes as a shareholder in Lockheed Martin, one of the worlds largest arms manufacturers, we should be very fucking alarmed!

https://www.rt.com/uk/424392-may-husbands-capital-group/

https://www.independent.co.uk/news/uk/politics/theresa-may-philip-may-amazon-starbucks-google-capital-group-philip-morris-a7133231.html

Theressa May has no parliamentary majority, and is now sabre rattling in an attempt to cover up her shambolic record on everything from health, crime, social care, welfare, Grenfell, Windrush, the list is endless. May’s dismissal of criticism as a desperate humanitarian effort flies in the face of fantasy. You have to build peace, and you can’t do that with explosives, especially if it’s because you just want to be seen to do something. When our foreign secretary admits that “air strikes will not turn the tide of the conflict”, what’s the point? Its funny we always have money for war, [6 million for 8 missiles!] but nurses have to use food banks and disabled people are killing themselves under the weight of being erroneously deemed fit to work.

Void One - Death From A Dove Billboard 2018
There’s something deeply disturbing going on in this country and it frustrates me to the point I feel I need to speak out. My work “Death From A Dove” satirises the oxymoron fighting for peace. It portrays the reality of a world where the concept of peace has been rendered a hollow platitude served up to justify war. The last green leaf has fallen from the laurels, withered in the mouth of a suicide dove pulling the pin on a grenade. It’s presented in prime sight as a crime site, because that’s how I feel about what’s happening. It all seems so brazen! For me, it captures the hypocrisy and sense of hopelessness that pervades the current political climate.

I’m by no means done with this concept…

Void One_

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OPERATION PEACE TAKE_

I wasn’t sure whether I was going to write this piece up to be part of my portfolio. It’s hard to produce political stuff like this as I worry it can come across as cliche. However, on a cold November evening, the seeds of dissent were sewn in my mind and Operation Peace Take was conceived.

I love how my ideas manifest themselves. Small snippets of information about the remembrance commemorations had been steadily seeping into my subconscious, but it was actually a football story that got the proverbial ball rolling. Some footballer was being castigated about not wanting to wear a red poppy because he was Irish and felt that to commemorate what he saw as an occupying force was wrong. This news story resonated with me and made me reflect about what the poppy really represented.

The red poppy is traditionally seen as an emblem of Remembrance Day, their red colour symbolising blood spilled in the first world war. Yet, in the years that have followed, it has come to symbolise a broader remembrance of all armed forces personnel who have laid down their lives in service to their country. By excluding the non-military victims of war from remembrance, the red poppy upholds a moral hierarchy of worthy and unworthy victims. The heroic soldier who is worthy of respect, official commemoration and national pride, and the unworthy, unnamed civilian who remains faceless and unacknowledged.

The red poppy is intimately tied up with a series of myths about heroic sacrifice and necessary violence perpetuated through sensationalist media propaganda that fuels a naive and ignorant patriotism. The truth is that war is vicious, bloody, inglorious, and that the soldiers we remember are there to kill and maim fellow human beings. The truth is that many of our wars are nothing to do with freedom, liberty, or democracy. They are often illegal, and predatory in their conquest of resources, lobbied by corporations with a vested interest in a perpetual state of war. Images of politicians, and the royal family laying wreaths at the cenotaph to commemorate the slaughter of millions of people, used as fodder to maintain the class privileges which they enjoy, is truly an act of incredible hypocrisy!

People from all over the world had been traveling to London to see the tower poppies exhibition, which saw ceramic poppies fill the moat of the tower of London as a mark of respect to our glorious dead from the ‘great’ war. So, with all this simmering away in my mind, I decided to plant a few huge white poppies at this now world famous tourist attraction. I was cautious about how I was going to tackle this because it was imperative I didn’t come across as as disrespectful. This protest was out of a greater respect for ALL victims of conflict, whilst denouncing the militarism that has forever underpinned British foreign policy, that celebrates a history that ought to be a source of shame, and should be part of a broader sense of national remembrance. How can we expect to solve any of the problems this union and the wider global community faces if we can’t be honest about the incongruities of our national myth as a force for good in the world, as the ‘mother of parliaments’?

I’m not railing against the sacrifices people believed they were making for their country, more arguing for a broader sense of remembrance in the aftermath of empire. The fact that less than a week after the poppies were removed a private dinner was held for all the major players in the British arms trade was disgusting. Platitudes about heroic sacrifice in this context only serve to further demonstrate an institutional and systemic disrespect for life. This is why I advocate the white poppy, as a commitment to peace as a core cultural value.

Void One_

http://www.independent.co.uk/news/uk/home-news/the-crass-insensitivity-of-towers-luxury-dinner-for-arms-dealers-days-after-poppy-display-9888507.html