On 16th April 2018 I set out to paste up a six metre by three metre painting on a billboard in the heart of Digbeth, Birmingham, UK. News events at the time have sparked controversy, and I’ve been working on a scaled up version of an exhibition piece from the same time last year with the Distorted Minds Crew featuring a suicide dove. It seemed like the perfect storm to get this piece up.
“You can’t lambaste a sovereign country as despotic whilst in every way acting like a tyrant yourself.”
There are a number of factors that have brought me to this point, but ultimately it boils down to a complete breakdown in trust with our government. Or moreover, the realisation that clichés about bringing liberal democracy to the world and the abject failure of our foreign policy over the decades, are actually just a pretext for us as one of the largest arms manufacturers, to sell weapons to people around the world committing genocides, to destabilise countries we consider a threat, and to posture on the world stage as though there were any semblance of the British Empire left.
At the time of writing this we find ourselves caught in what appears to be a proxy war with Russia in Syria, railing against the use of chemical weapons with no clear evidence, compounded by the fact that we sold Assad the precursor chemicals he’s alleged to have used to produce sarin back in 2012. The OPCW completed a survey of the site we bombed in 2017 and declared it safe. Do we know something they don’t? Why wasn’t that shared and left to an independent body that was awarded the Nobel peace prize for their work in eradicating chemical weapons? Footage of the aftermath of our strikes clearly show there were no chemicals on site, else where are the hazmat suits? The breathing apparatus? I want any military action to follow clear evidence, not hyperbole and hearsay, else it sets a very dangerous precedent for the future. Have we learned nothing from Iraq and Afghanistan?
There’s been a complete disregard for international law and the convention that military action should follow a debate in parliament. Why were these air strikes conveniently pushed through whilst MP’s were on a break? Because ‘outsourcing’ decisions to a democratically elected body is no longer good enough, or worse, considered a hindrance? You can’t lambaste a sovereign country as despotic whilst in every way acting like a tyrant yourself.
“You have to build peace, and you can’t do that with explosives.”
That Britain ought to stand against international war crimes is justified, but only when applied universally. Why is it acceptable to attack Syria under some pretense of moral duty, when in the same week journalists and civilians are being shot by snipers in the West Bank with not a word of condemnation from our government? When we sell billions in arms to Saudi Arabia whilst it’s widely known those weapons have been used for atrocities in Yemen? This government has blood on it’s hands and should be accountable. Further, Theressa May’s husband stands to directly benefit from these strikes as a shareholder in Lockheed Martin, one of the worlds largest arms manufacturers, why isn’t this seen in terms of the conflict of interests it clearly is?
https://www.rt.com/uk/424392-may-husbands-capital-group/
Theressa May has no parliamentary majority, and is now sabre rattling in an attempt to cover up her shambolic record on everything from health, crime, social care, welfare, Grenfell, Windrush, the list is endless. May’s dismissal of criticism as a desperate humanitarian effort flies in the face of fantasy. You have to build peace, and you can’t do that with explosives. When our foreign secretary admits that “air strikes will not turn the tide of the conflict”, what’s the point? Its funny we always have money for war, [6 million for 8 missiles!] but nurses have to use food banks and disabled people are killing themselves under the weight of being deemed fit to work in error.
There’s something deeply disturbing going on in this country and it frustrates me to the point I feel I need to speak out. My work “Death From A Dove” satirises the oxymoron fighting for peace. It portrays the reality of a world where the concept of peace is served up to justify war. The last green leaf has fallen from the branch, withered in the mouth of a suicide dove pulling the pin on a grenade. It’s presented in prime sight as a crime site, because that’s how I feel about what’s happening. It all seems so brazen! For me, it captures the hypocrisy and sense of hopelessness that pervades the current political climate.
Void One_
Void One // UK 
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