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City Of Colours Winter Showcase // The Revolution Will Be Merchandised

I’ve been saving this post for a while now as this project has really grown in scale and I’m pleased to see that the concept has evolved and developed as far as it has. This project is now going to become a model for my future escapades as it encompasses everything I’m trying to achieve with my work.

This design was initially created as an avatar for my musical exploits under the alias Terrorbyte, but was switched up to become the inspiration behind a print for, and what I wanted to paint at, the City Of Colours Winter Showcase on December 6th last year.

void one - facebook teaser mechanized

I’ve been researching war propaganda posters from the first and second world wars for a series of satirical posters using the tag line ‘The Revolution Will Be Mechanized’. I love the track by Gil Scott Heron called ‘The Revolution Will Not Be Televised’, especially line about there ‘being no re-runs brother, the revolution will be live’.

In Gil’s lyrics, the revolution will not be brought to you by xerox, or taste better with coke, you will not be able to plug in, turn on and cop out. For me, the heart of Gil’s message is that true social revolution comes from inside the individual, it’s down to you to manifest the changes you want to see in the world. The revolution isn’t out there waiting to happen, it’s your responsibility to mobilise yourself to live a more conscious existence. It’s not something you can capture on film or sell as a commodity, it’s a thought process, and it’s only when enough people embody such a paradigm shift that revolution in a more broad context can occur. It’s small changes in the way you lead your life at grass roots level that make the most difference to local communities and the world at large.

This message could not be more relevant than in today’s climate of shallow, catchphrase, PR politics from millionaire career politicians who are scandalously out of touch with the general public. Advertisements abound with platitudes from companies and governments promising to make your life better, to solve the most inane of first world dilemmas with a value system that is preoccupied with possessions and the social status they project. I’m not railing against people having nice things, but the best things in life aren’t things and it’s important to keep that in focus.

The revolution will be mechanized is meant to satirise the notion that we are now slaves to our devices and that our devices have come to define us. It represents a dystopian vision in which humans have become mindless automata under the governance of an oppressive system, one that has coerced us to embrace technology as a means of liberating ourselves, whilst actually placing us in perpetual slavery to our upgrades and the debt that results from our misplaced desire to own the latest models.

It is with this concept in mind that I produced the above prints for City Of Colours. The robot head was coloured and I added a few simple shapes to make it look almost like a badge or medal. The triangle design is my new logo, I’m thinking of using it like an abstract signature for my work in general. Now I just had to paint it.

Once again, I was lacking any meaningful amount of sleep due to all the last minute tweaking and preparation. I don’t know what it is, but I never finish a project with any real time in advance. I need the pressure of an impending deadline to motivate me to make often hard or drastic decisions about where something might be heading. I never miss my deadlines, and sometimes it annoys me in retrospect that I could have spent more time on finer details, but I find that so long as I have a solid concept before I start, such pressure often leads to moments of frenzied production and moments of inspiration, circumstantial happenstance, or unplanned yet happy accidents.

So, I arrived bright and early. If I remember correctly, I had spent my last £20 on paint and had no cash for emulsion for the background. I thought the black sprays I had would cover the boards I was painting with some to spare, but this was yet another schoolboy error I should have learned at the main festival a few months earlier. They did just about cover the background, but it was by no means a solid colour and I think it really let the piece down. Again I went with using a mixture of stencils, masking off areas with tape, and hand drawn / sprayed details to throw up the image. I worked much more quickly this time for two reasons. Firstly, there wasn’t a bar right next to me and far less people knocking about to distract me. Secondly, because I had given myself a real headache as far as how much work was really involved and how much could be done in the dimming winter light. The plan was to get the main image up and then spend any spare time working on tightening it up and maybe do some sort of border to frame the image. In hindsight, I think I was lucky to have enough light to get as far as I did!

It was a little while later that I revisited this . Before even thinking about the print I had created a few simple logo designs featuring the mech head artwork. It was from these initial ideas that the print had evolved. I tried a few designs on T-shirts to see what they would look like and decided the ones below looked the sharpest. At the time I didn’t really have any plans to move forward with production, it was still very much wishful thinking, but I went with three really simple visualisations.

I posted them to my Facebook page to see what the response was and the whole thing just blew up! It was clear from that point that this was something people would wear. In an ironic twist the revolution will be merchandised too, and this sits nicely with the whole theme. After seeing a few other crowd funded projects cross the line recently and some friends recommending Kickstarter as something to look into, I decided to give it a try. I had nothing to lose! The general response was that the red triangle artwork was the strongest, and after pricing up the order, I was confident it would be successful. So, I ran a campaign to print the artwork on some T-shirts & hoods. I couldn’t believe it, the project was funded within a couple of hours! Thank’s to everyone for backing the campaign! Everyone wins really as the artwork will look sweet.  I’m loving the concept of crowd funding, as it demonstrates there’s backing for projects before you waste your time and money.

Mech Tee FINAL resize red

Something I really like, and hope to expand on more, is how this process gives me the capacity to custom tailor people’s orders, colour combinations etc. I’m definitely going to be running more of these campaigns. The reward system is perfect for offering different products and a really easy way to update people about the process. I like being able to show a few designs to people and see what works best before committing to anything. I’ve decided on a policy of only running one campaign at a time, as I want the quality to be high and I don’t want to bombard people with too many products all at once. The T-shirts will be ready and shipped out next week. I have been able to press up a couple of spares but they are virtually gone. I did 30 in total, so that’s been a great success in my mind! I’ll update this site to include some pics in due course, but these are some of the other visualisations.

Check out the campaign page @ https://www.kickstarter.com/projects/609532185/void-one-classic-tee-shirts-hooded-sweaters

So, more Tee’s  once I’ve shipped this project off and I’m thinking about a three colour stencil from the layered artwork I used for the T-shirt screens. I want to throw loads of these around, maybe some stickers. I want to try to keep re using all the bits of work I’m producing and test out a few different mediums, in the same way I have been doing with my Tetsuo work previously. The summer is fast approaching and I’m booked for a few paint jams, including this years City Of Colours and Big Noise. Good to be able to sign off another chapter for this piece though. Shadow Work is finished and will be coming soon, one of my most challenging works to date.

Void One_

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Welcome // Return To The Void

I’m Void One – A mixed media graphic artist from Birmingham, UK. I specialise in mech style samurai graphics and abstract robotic landscapes.

I’ve set up this blog as a means to document my thought processes and work flow. This is the most public I’ve ever been about my life, and it will probably be the only time I cover my history in this way. This isn’t meant to read as some bleeding hearts, feel sorry for me diatribe against things that haven’t gone my way. However, these things define me, and my work.  It’s been cathartic writing this, and I hope it brings some context. I realise that people like to see the working out, the background story, and this is mine…

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I’m from a broken home, all the worst council estates in my city, a product of gang violence and petty recriminations.  I could so easily have ended up residing at her majesty’s pleasure. I was an angry, partially deaf, hyperactive child, given sedatives at the age of two, that failed my secondary school education spectacularly, due in no small part to over-looked dyslexia. This didn’t stop me from getting an education, I wanted to learn, I had just never been taught how to, or why it was even relevant. Shitting statistics and memorising facts was virtually impossible for me, so I played the fool. Art was my only release from the stresses of a childhood fraught with avoidable confusion, upheaval and debilitating lung illnesses. I knew when I left school that I had to do something with my life, so I pursued a course in design, media and communication. I have never looked back.

It wasn’t until I went to University to study a bachelors degree in Philosophy that my dyslexia was finally picked up. I’d never attempted anything so heavily academic, and it became obvious that something was wrong. I was sent to Coventry to undertake tests, an irony only my native Brummies will understand. Once confirmed, I understood where my anger had stemmed from my whole life, my inability to communicate properly. I passed my degree, but more than that, I now knew who I was, and I had the confidence to express it, well, and at times very loudly. I’m a punk at heart after all! It is impossible for me to describe the sense of relief and freedom I gained in discovering that there where practical tools at my disposal to help me, that I wasn’t just stupid.  I hardly struggle with my dyslexia now and, if anything, it has become a source of entertainment. The reason I’m being so public about it this, is that I had no support. If I had, I know my development would be far in advance of what it is. If I had known sooner, I probably wouldn’t have spent so much of my time on self destruct. If I can in some way help other people through my shared experience, it was not in vain.

At the same time as studying my degree, I began training Southern Shaolin Steel Wire Mantis Kung Fu. A legitimate full contact Shaolin Style that can trace it’s lineage back to the styles founder and Shaolin Temple itself. I studied for 5 years and became a disciple of the school at grey sash level. It is this training that taught me the discipline I needed to focus, I had no focus, and this was the reason I had never really finished anything. I grew up here, and I will be eternally grateful to the people at this school.

Art, both martially and creatively, have  been my meditation for as long as I can remember. A chance to switch off from the chaos of my own internal dialogue, to unlock a sense of self fulfillment that only I have control over, a way of challenging both myself and my preconceptions. It is the only true peace I have ever known.

For the last decade I have been predominantly producing Electronica under the alias Terrorbyte and putting together releases for the various record labels I founded. [Beta Birmingham / Beta Test Records] During this time, my artwork took a back seat, a skill set only dusted off to produce the occasional album sleeve or event flyer, and a little wheat pasting when I found the time. In the last 12 months my workflow has improved considerably. I find myself ‘returning to the void’, Void One being a pseudonym I used to use for my graffiti and spoken word poetry slams back in the day, meant to represent the at times extreme binary nature of my experience, things are rarely just normal in my world.

I find myself working on whole concepts rather than random images for shits and giggles at the moment. No longer are my ideas abandoned as light drafts or simple outlines to be finished ‘tomorrow’. I’m actually finishing my pieces and seeing things to their natural conclusion, there is no greater sense of satisfaction. I now work by hand to produce line drawings that are often then coloured digitally, though my ink work is coming on in leaps and bounds. Moving forward, I’m  recreating my digital work, using vector stylization, with spray paint and acrylic pens, performing at live paint jams and undertaking paid commission work. It is only now, at the tender age of 33, that my work feels like it is finally coming together! My style comes from experimentation with graffiti in my late teens and my love for cartoons and terrible B movies. Anything with Kung Fu, zombies, samurai, ninja, gangsters, robots or post apocalyptic visions of the future, but preferably all at the same time.

My first mission is to upload some of my old ‘Tetsuo’ pieces, a body of more abstract and passively aesthetic works, followed by my more contemporary commissions and projects. The rest is still to be written. I don’t know where this is going, I’m just enjoying the ride. You’re welcome to join me.

Void One_